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Third World … The Spirit Lives

The music Third World delivers is an all encompassing music - Reggae with R&B, Soul, Latin and Jazz influences. Yes! All kind of different  music have inspired a generation of some gifted artists and musicians who grew up listening to James Brown, Wilson Picket, Gladys Knight, Toots and the Maytals, Bob Marley, Santana, Earth Wind And Fire and the Ohio Players  among others. It is the amalgamation of all of the above artists that has shaped the music of Third World or “Worlers” as they are affectionately called.

These Reggae Ambassadors’ music has become a voice for their vast legions of fans and for the  music professionals with whom they have worked and  recorded, such as Kool  And The Gang, Stevie Wonder, Linel Jobe, James Mtume and Gamble & Huff. And they did it with an open mind while breaking new ground when collaborating with Hip Hop rapper Daddy O on the track  Forbidden Love.

Now they have released their 23rd album aptly titled ‘Patriots’, a 13 track set that recognizes and features combinations with 11 different artists. The lead single taken from the album is called The Spirit Lives. It was written for Third World by Kenny Gamble and Leon Huff and was first released on their album ‘Hold On To Love’.  Cat Coore explains, “For ‘Patriots’, we decided to revamp The Spirit Lives and rebuild it with a harder reggae groove in a modern version, and Junior Reid contributed his infusion along with Inner Circle and gave it a new presence. At the end of the album, we featured a live version with the band paying tribute to Haiti. Richie Daley is responsible for the basic rhythm track with some good help from Norris ‘Noriega’ Webb, our keyboard player, and then we added our thing - now it has become our opening song. When we are opening our set we have to make a statement -  setting the tone  of what is to come, so we really concentrate on playing it with a certain level of proficiency”.

The album ‘Patriots’ not only bigs up Paul Bogle, Marcus Garvey and Bob Marley, but also the guests on the album who the group regard as musical patriots; icons such as Marcia Griffiths, Mykal Rose, Gregory Isaacs, Toots Hibbert, Capleton, Dean Fraser and even the younger people that are on it like Tessanne Chin, Tarus Riley, Jessica Yepp, Stephen and Damian Marley are seen as future Patriots of the music too. Cat Coore said “The album has two meanings, we are bigging up Bogle, Garvey & Marley, but also we’re bigging up our friends who through the years have been putting in a lot of effort and contribution to Jamaican music, and they are Patriots in their own ways”.

‘Patriots’ is distributed physically courtesy of Ernie B and digitally courtesy of Zojak World Wide.  It is produced by/and issued on the Third World Music Group label. Booking falls under the label with management control by Victor Lewis (VickRae Inc.) and publicity is handled by Triple 7 Entertainment. Musician credits are shared with some brilliant guest players, Sly and Robbie on Revolutionary People.  Dean Pond also shares some musician/production/engineering credits. The album is getting good radio and press responses and is currently bubbling on the Billboard Reggae Charts.

The genesis of Third World began in 1973 with an amicable split from the original Inner Circle  Band which at the time  consist of Ian and Roger Lewis on rhythm and bass guitars respectively. Ibo Cooper on keyboards, Willie Stewart on drums, Stephen ‘Cat’ Coore  on Lead guitar and ironically Williams ‘Bunny Rugs’ Clark on vocals. At that time, Inner Circle was a Jamaican show band playing top ten hits.  Not long after, Rugs migrated to New York and was replaced by Jacob Miller, and then Cat, Ibo and Prilly Hamilton (vocalist) regrouped as Third World for an initial trial period along with Collin Leslie on bass and Carl Barovier on drums; shortly afterwards  the group was restructured with Cornell Marshall on drums,  Richie Daley on bass and “Carrot”  Jarrett on percussions.  They started playing their own material at a number of different shows in hotels and clubs in Jamaica, tirelessly working away at their craft (Marshall played with the band for the first  two years and was replaced by Willie Stewart).

 

They recorded and released their first album (self titled ‘Third World’) and ventured out to England as a virtually unknown group.  With the assistance of Allen Sturdy and Evan Williams, who were helping to manage the group at that time, they got a couple of gigs but the critical gig was the one that they got in the west end of London at a club called Gilleys. Chris Blackwell came and heard them there and instantly said he was going to take the group onboard the Island Label roster. Interestingly, Third World had approached Blackwell before and he had passed on the group, saying that he was too busy with Bob Marley and did not have the time to take them on.  “That was a pivotal time for us,” Cat recalls  “ it really inspired  the whole future of the band. Another pivotal time for us in our career was when we did the “Explanation” shows with Dr. Fred Hickling, which taught us the business of show business. “Explanation” helped to develop us in our presentation, because even after we stop running the actual show, we were guided by it in how we presented ourselves. Just at that time, we were doing our third album which included Now That We Have Found Love, and once Now That We Have Found Love hit we started getting lots of gigs and began touring heavily around the world. So what we did was to take elements from “Explanation” and toured the world with that act and got the reputation for the kind of show that we do. But prior to that, we had paid our dues like most artists, regardless of who they are, they pay their dues one way or the other”.

 

Yes it’s true, “Worlers” have had the small times and the hard times when they had to lift their own equipment, play in small joints, but with dedication and the love for what they do, the group never loses relevance and please themselves in the process.

 

The group has shared many memorable and important moments, one of which was when they linked up with Stevie Wonder who was visiting Jamaica at the time and requested a rehearsal with Third World when they were going to play at SunSplash. Together they performed two songs on SunSplash Master Blaster and Now That We Have Found Love. That went down so well that Stevie extended an invitation for them to come forward with him to Los Angeles. Third World was working on an album at the time and he offered to finish up the album with them, so they took up the offer and went to LA – the rest is history. Stevie wrote two songs for the album, Playing Us Too Close and Try Jah Love, the latter became the title track for the album and one of “Worlers” signature tunes.

 

On the other hand, they have also had moments of disappointment, like when drummer Willie Stewart and keyboardist Ibo Cooper decided to go their separate ways. The remaining core members, Cat, Richie and Rugs had to revamp a lot of things and resist a lot of skepticism. But it brought a new sense of commitment and sacrifice and with the current line up with drummer Tony ‘Ruption’ Williams and keyboardist Norris ‘Noriega’ Webb they have come full circle.

 

To be able to accurately reproduce your record live is a true testimony to the concept of working hard. Third World’s spirit lives in all their fans, in all the people who have seen them perform live and that was not easy to achieve. The group has completed an ‘Outa’ Circle with the will to keep on doing what they are doing to the best of their abilities.

C. Danny Breakenridge

 

Purchase their album here!

 

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Check them out here!

 

http://www.thirdworldband.com/

 

http://www.facebook.com/thirdworldband


Dylan Judah: Anthology Now Available

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Influenced by classic Jamaican music, Dylan initially linked at age 16 with the legendary Skatalites, including musicians such as Roland Alphonso, Tommy McCook, and Lloyd Knibbs (Lloyd wrote out the first drum pattern Dylan learned on the back of a Clarendonians record). After having been introduced to Bunny Wailer's live set at a Skatalites performance, Dylan was inspired to produce his first album, Thanks and Praise with The Cannons. The highlights of that CD, along with his second Cannons album Life-Elements -Vision (voted independent album of the year by Borders Music it's year of release) and his solo self-titled release have been collected into Anthology. The musicianship throughout is top quality, including guests like former Peter Tosh drummer Santa Davis and engineer-extraordinaire The Scientist.

The tracks collected are songs of universal awareness of what has been seen and experienced by Dylan, real soulful music from the heart. Songs like Pressure, Pressure and Jah Glory reflect this quest to look beyond intellectual thought to see how one can let universal energy work around them. Jah Glory was covered in live performances after its release by Jamaican artists Sugar Black and Ras Shiloh, which gave much inspiration to Judah at the time as an upcoming artist. Dylan Judah feels that now is the time for soulful reggae music that embodies the foundation to get its acceptance in the United States.  Anthology is a quality roots release that can be truly appreciated by fans old and young from any variety of backgrounds for its authenticity and and poignant meaning.  Collective themes of righteousness shine through in this impressive compilation from Dylan Judah.

Dylan next project coming soon on Teflon Blood Records from Black Judah! Sugar Black and Dylan Judah form the reggae duo Black Judah. Merging the creative vision as well as lyrical and vocal talent of Sugar Black and Dylan Judah, this tandem has resulted in a conscious yet club friendly dancehall sound. Tracks on the upcoming album “California Green” feature artists like: Snoop Dogg, Elephant Man, Busy Signal, Anthony B and Warrior King.

 

http://www.teflonblood.com/                http://www.myspace.com/dylanjudah


Black Gold: Soul Music Without Apology

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With musical influences that range from roots reggae to gospel to neosoul to hip hop, Toussaint carries a sound that is true to his nickname, "the Liberator." I recently spoke to him by phone during half-time on a Sunday afternoon
 
There were two things in your music that caught my ear, great horn arrangements and powerful lyrics.
 
I wanted the right sound. I had ideas and melodies I wanted to get out, but I'm not proficient myself, I haven't studied any instruments so I was happy when Tippy (Laurent Alfred, founder of I Grade Records)  called on Balboa Becker for the horns. Balboa is an old friend who took me to Cali the first time I went. He would certainly tell you "These aren't reggae horns, they're funk horns, they're 'Chaka Khan' horns."
 
I'm very purposeful about the words. I've been called the lyrical liberator; not for anyone else, for me. I'm trying to free myself, reject the things I've gone through, gain some strength for myself, the power to effect change around me. The entire world is moving at a certain vibration. When you have the ability to control that vibration, it is very serious. Things have to be vibrating at a certain rate for me to be able to do introspective work. That is why meditation is so important. I take it pretty seriously. The words don't just come; each word has to be carefully thought out. One of my gripes is I wish people would be more cautious about labeling the (Black Gold) album reggae. I think of it as soul music with unabashed culture, no apologies. I talk about our culture, about being African, about reclaiming ourselves and our culture. Soul music has become too watered down. It's a long time since there has been discourse in the music, calling on people to go forward, to do the work, talking about the real topics we are dealing with. There's a difference between having a job and doing work. I would be playing on the street 8 hours a day, traveling to NYC playing on the subways. Hard work is rewarded and when you are truly searching, you are given what you're searching for. I've been searching for an entity to partner with and found that with I Grade and Tippy. We connect, we work hard because we're working for a righteous cause.
 
Music has to be personal and to challenge us. Please think about what you write. Some rap music has ignorant lyrics. There's nothing great about being a gangster. A real gangster would not be so easily persuaded to do dumb shit. There are kids shooting people because of rap records, thinking that cats really have a million dollars underneath their mattress from selling cocaine. It happened in Indiana when I was growing up in Kokomo. It's ugly out there. Babylon exists even within Rastafari. It's a real battle we're fighting. Some people think I'm too serious, but I feel to whom much is given, much is required. We have to choose ourselves - we can't wait for someone to say, 'hey you.' One day you realize you were born with the tool kit, with the power, with that connection to the divine. It's our duty to come forth and spread that love. You go through the fire to get there and I'm sure I'm gonna see some more fire. I know there will be temptations I've never seen before, at a level I've never seen before. You have to have your meditation, you can't just sing about anything. That level has to be maintained. The music industry as we know it is on its way out. As an up and coming artist, (after 16 years), this is the first time I've had some real support. Tippy allowed me to do what I do. Reggae is usually the poor stepchild, but you can't be a one trick pony. It's about the message, to be someone standing for something.
 
 
Tell me about the messages you're standing for.
 
 
There are so many black bodies, so many Latino bodies, so many poor white bodies going in and out the doors of the system. Hopefully I can get enough momentum, enough people looking in this direction to do something with prison advocacy, prison reform and reversal of wrong decisions. There's a man named Darrell Jones who's been in Bridgewater (prison) for 24 years for murder. His case has just been the first non-DNA case picked up by the Innocence Project. He reached out to me after reading an article in the Boston Herald about my music and my cause. Though he has been locked up for all this time, he has been very active in the community and he enlisted me to be a part of his project. Recently, he wrote a letter to President Obama asking him to address prison system issues. We reached out to different artists worldwide, South Africa, Toronto, and of course Boston - who wrote songs based on different pieces of his letter. The 'All We Need Is An Answer' project can be found at www.obamaanswerthis.com. The video, which came first, won a number of independent film festival awards. The soundtrack is meant to bring the issues to the people. The prison system is just an extension of slavery, of population control. Politicians talk about family values, but the African family has been under attack since day one, when the males were separated from their families and were brutally murdered in front of them. You see so many young people decked out in camouflage. The problem is that not many of them realize that we really are in a constant battle, and if it is not fought, we'll all fall victims.
 
I was also excited to be a part of the Dread and Alive (comic book) project. Black kids need a black super hero. I met Nick De Silva, the author, recently in San Francisco. I want to work together with him in creating Toussaint the Liberator, who is going to be part of the story. I'm working with my brother to create the character, sort of a black Shaft in the southwest.
 
Is there one thought you'd like to leave people with?
 
Prayers get answered, not on your timetable but when they need to be. I wanted to have a family, now I have a great wife and 2 beautiful daughters. I wanted to take the music to the people, I wanted to work with like minded people and it has happened. It's a blessing.
- Susan De Leon

Zo catches up with Annette Brissett

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Annette Brissett has good reason to lift her head up as the release of her latest album “Lift Your Head Up” on her label T.A.C. via digital distributor Zojak World Wide is bound to take this reggae artist to new heights in the industry.

Born in Kingston Jamaica, she moved to New York as a child. While attending school she learned to play a variety of musical instruments. This foundation set her on the path to becoming one of the most talented and versatile female reggae artists in the industry today. Not only is she a musician but she is also a composer and writer and possesses a truly unique singing voice. To her credit she has penned major hits such as I Shall Sing for international reggae superstar Marcia Griffiths and I’ll Be There For You for king of lovers rock Beres Hammond. She played with the all female band Stepping Razor and later on she formed the all female band Sistren. Annette also recorded with other professional groups such as Roots Vibration and Kalabash. She and her band has opened for reggae giants Steel Pulse and Judy Mowatt. Eventually she teamed up with Sly and Robbie of the Taxi Crew with whom she produced “Annette Brissett and The Taxi Gang”. The album created new fans for her and she soon gained a large international following in countries such as US, Japan, Brazil, Canada, Jamaica, and The Caribbean.

This new album is bound to have a large and very real impact on the reggae scene. Its mix of infectious roots reggae rhythms with more soulful ballad-like compositions will not only delight her present fans but will appeal to a new fan base. This album is poised to make Annette Brissett a household name. She has indeed arrived.

In the following interview, Annette talks about her album which took her 11 years to complete and her experiences in the business as a strong black woman. She also has some advice for upcoming female artists in the business.

Why are you proud of this album?

The album was written entirely by me. I wrote all the songs, played instruments on the album, and got a few tracks from producers such as Fabian Cook, Dean Pond, Hopeton Lindo, and Syl Gordon where I did overdubs on all of these tracks. I played the bass, the drums, guitar, keyboards and percussion. I’m my own engineer and producer. It took 11 years to complete and is my proudest achievement because it was done the way I wanted.

Where did you draw inspiration from?

From a variety of life experiences, and also from other people’s experiences. When you go places, see people and move around people you’re living it – experiencing it firsthand. “God puts a song in my heart every day. Tomorrow there’s a song the same way.”

What is your experience as a woman in the business, and what is your advice to upcoming female artists?

It is not easy being a female in a male dominated business. There are many challenges and disappointments. People who you thought were your friends “burn” you but you have to lift your head up and be you. Ultimately you have to be you in this business. There is a popular misconception that a woman in the music business has to sleep around to get ahead. Personally, I didn’t sleep around to get where I am today. My passion for the music made me focus on what is important to me and that is connecting to people through a song, to me that is a blessing. I advise upcoming females to know what you’re going into the business for. There are many roads but only one way out and you should remember this after you have achieved the fame and the money. Some people may discourage you but you should always remember what you went into the business for and focus on the goals you want to reach.



Artist Spotlight

Third World Exclusive

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  Third World … The Spirit Lives The music Third World delivers is an all encompassing music - Reggae with R&B, Soul, Latin and Jazz influences. Yes! All kind of different  music have inspired a generation of some gifted artists and musicians who grew up listening to James Brown, Wilson Picket, Gl...

Artist Spotlight | Administrator | Saturday, 14 May 2011 | Hits: 3450 | Comments

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